Joy Keys chats with Meshell Ndegeocello about Devil's Halo

Aug. 4, 2010 - PRLog -- Joy Keys chats with Meshell Ndegeocello

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DATE: Saturday July 31, 2010

TIME: 11:30 a.m. – 12:00 p.m. ET

GO TO: www.blogtalkradio.com/joykeys and listen to the show from your computer.

CALL: 646-929-0368 to listen and ask questions from your phone.
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Meshell Ndegeocello was born Michelle Johnson in Berlin, Germany and raised in Washington DC.By the early 90's, she had landed in New York armed with a demo recorded in her bedroom, joined the Black Rock Coalition, and was soon signed to Madonna's label. Her records, 8 to date, have offered lyrical ruminations on race, love, sex, betrayal, God, and power, and she has simultaneously embraced and challenged listeners with her refusal to be pigeon-holed musically or personally. Genre defiant, Meshell has been celebrated for choosing the road less traveled - a winding adventure through her own musical ambitions rather than the industry formulas. Along the way, she has earned diehard fans, critical acclaim, the unfailing respect of fellow players, songwriters and composers, and 10 Grammy award nominations.

Devil’s Halo, Meshell's 8th album and her first for Mercer Street, harkens back to the way records used to be made: no click track or electronic synthetics, with a focus on musicianship and live band energy. Meshell feels that Devil’s Halo represents a return to a place that she truly appreciates, music that is created and performed by people's hands. Produced by Meshell and guitarist Chris Bruce, and influenced by a wide breadth of sounds from The Human League to Wu Tang to Yes, Devil’s Halo displays Meshell's vocals and diversity throughout.

A vast array of influences have informed all of her albums, including Devil’s Halo, and there are traces of her native go-go, hip hop, rock, R&B, new wave and punk in each. Each album has been a step away from the last, each used as a chance to investigate and integrate new sounds and ideas, and fans have been treated to everything from the deep-funk of Plantation Lullabies to the raw and confessional Bitter to the hip-hop loving Cookie. Possessed with instrumental gifts as diverse as her interests, Meshell composed, arranged and produced a jazz record in 2005.

A bass player above all else, Meshell brings her signature warm, fat, and melodic groove to everything she does and has appeared alongside the Rolling Stones, Madonna, Alanis Morrisette, James Blood Ulmer, The Blind Boys of Alabama, Tony Allen, John Medeski, Billy Preston, and Chaka Khan. As for her own bass-playing influences, she credits Sting, Jaco Pastorius, Family Man Barrington, and Stevie Wonder. Meshell was the first woman to be featured on the cover of Bass Player magazine and remains one of few women who lead the band and write the music
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website: http://www.meshell.com

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