How High Dynamic Range Works In Post With Dolby, Adobe & FilmLight At The January Editors' Lounge

Jan. 21, 2016 - PRLog -- The Editors’ Lounge returns Friday, January 29th with a special focus on High Dynamic Range in post-production. What is it, why is it important and how is it handled? Attendees will get the opportunity to learn hands-on solutions from leading post-production hardware and software companies on how to successfully manage and finish an HDR project. The event will be held at AlphaDogs Post Production 1612 W. Olive Ave., Suite 200, Burbank, CA 91506 beginning at 6:30 p.m. RSVP is required to attend. http://www.editorslounge.co (http://www.editorslounge.com)m

Robert Carroll, Senior Director, Content Solutions-Imaging for Dolby Laboratories will be presenting HDR content creation for Dolby Vision and HDR-10.  The process of creating HDR content will be discussed in depth with topics to include: HDR in acquisition, VFX, editing, grading/mastering, encoding and playback. There will be a focus on HDR in editing and creating Dolby Vision, HDR-10 and Rec 709 deliverables from a single workflow.

David McGavran, Director of Engineering for Adobe’s professional audio and video products, will be demonstrating the latest release of Adobe® Premiere® Pro CC and its support for High Dynamic Range video. Adobe Premiere Pro, a key component of Adobe Creative Cloud®, has come to be known for its innovation in addressing the needs of editors through every step of the editing process - from color, to audio, to unparalleled integration with other Adobe tools like After Effects® and Photoshop®, as well as all new mobile apps like Adobe Premiere Clip. Attendees will learn how Premiere Pro can make a difference in HDR workflow

To answer the growing demand for advanced television formats FilmLight will be showcasing its HDR, wide gamut and Ultra HD 4K color technology. Peter Postma, US Product Manager for FilmLight will be on hand to show attendees how content can look its best in any context across production, editorial, VFX and finishing with Baselight Editions for Avid and NUKE and the Baselight color finishing system for Dolby Vision mastering.

The Editors’ Lounge offers the opportunity to learn from post-production industry peers and networking with new and old friends. The Lounge opens at 6:30 p.m. with presentations beginning at 7:00 p.m. RSVP is required to attend. The price of admission is to bring your favorite beverage. Editors’ Lounge will provide the food.

To register for the event please visit:

http://www.editorslounge.com/nextevent.html

About the Editors’ Lounge: The Editors’ Lounge is a hands-on seminar for industry professionals. Each month, scores of professionals in the production and post-production industries exchange ideas, discuss trends and learn about new technologies; allowing editors to have their questions addressed objectively. To learn more visit http://www.editorslounge.com