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Follow on Google News | Six ghostwriters Renaissance publishing monopoly conspiracyWrite about the final 6 volumes of British Renaissance Re-Attribution and Modernization Series
Sections out of BRRAM have been published in scholarly journals: "Manipulation of Theatrical Audience-Size" Benjamin Jonson's The Variety (1649): A fragmentary comedy about the corruption of the judicial and monarchical systems in charge of granting aristocratic titles based on appearance instead of merit. Gabriel Harvey's The Tragicomedy of the Virtuous Octavia (1598): The first English self-labeled "tragicomedy" A Comparative Study of Byrd Songs: A comparative anthology of all of the variedly-bylined texts in William Byrd's linguistic-group, with scholarly introductions that solve previously impenetrable literary mysteries. Richard Verstegan's A Restitution for Decayed Intelligence in Antiquities (1605): The launch of Britain's "Anglo-Saxon" Gabriel Harvey's Smith: Or, The Tears of the Muses (1578): A poetic satire of ghostwriters being hired to write puffery of and by patrons and sponsors, who pay to gain immortal fame for being "great", while failing to perform any work to deserve any praise. Josuah Sylvester's Job Triumphant in His Trial and The Woodman's Bear (1620): The first verse English translation of the Book of Job, and a fantasy epic poem about the woeful love between the Woodman and the Bear. Series Information: End
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